Live Portrait Demonstration (kicking myself out of the comfort zone)

I really threw myself in at the deep end last night and did a LIVE PORTRAIT DEMO for Tiverton Art Society’s monthly meet. Not having the time to indulge in all my usual methods to obtain accuracy was painful at times!! It’s hard when you have set a standard that you measure yourself by, then stand up in front of a room full of people and produce something that hasn’t a hope of being as good as your best work. But I persevered and hope I inspired some with my dogged spirit and enthusiasm! I do think its important to push yourself, and do it honestly so that others can see a real person at work, warts and all. Thanks to Susanne for volunteering to model. Suzanne detail

Introduction to Portraits workshop

So yesterday I ran my Introduction to Portrait Painting day workshop. We worked from photographs, as this workshop was about taking a step by step, nuts and bolts approach and getting results fast from beginners and improvers. Those who joined my on this were lovely and we had a great time. Seeing the step by step progression was really rewarding, and each person took what I showed them on board and added their own inevitable twist. It was mentioned that some classes don’t give you clear guidance and can be a little vague. I showed them some basic principals that will help them establish a clear structure on which to add their own skills and techniques. Looking forward to more workshops like this!Final pic of the dayLee in progress by Gregory Wellman

This week’s art ‘work’, and a peek into the artist’s mind during demonstrations!

Demonstrating at the Cultural Heritage I’m really looking forward to Tuesday’s Portrait workshop at the Hartnoll Hotel. Then on Wednesday more tutoring, and in the evening I am doing a live portrait demo for Tiverton Art Society. With the latter I have a feeling of nervous anticipation. I enjoy the intensity of being in the moment during demos. No nipping off for a quick coffee or making that phone call. It’s so compelling and immediate. Sometimes during demos I get a momentary blankness generated by self -consciousness. A decision about something I am painting is almost impossible to make. If this happens, I have faith and move on to other parts of the work. By the time I come back to the ‘problem’ it has either resolved itself in relation to others things I have painted or I can now clearly see what needs to be done. These occurrences balance with moments of inspiration, happy accidents and energetic brush strokes that are partly the result of the speed at which you have to work when demonstrating. It’s important for me to enjoy ALL the moments, the concerns, the thrills, the pressure, and of course the interaction with the people watching. It has to be fun, for everyone. I make an assumption that everyone watching wants me to do well, as if they are friends and family (which sometimes they are). I avoid trying to impress, as this fuels fear of failure. I cultivate the ‘just do it’ attitude, which has served me well in so many things, especially my art. Commit to something fully, and your mind naturally tends to ignore insecurities, and starts working on the solutions. When you’re working on the ‘how’ it’s easy to ignore the ‘but what if…?’ that leads us to doubt ourselves. Use your human capacity for faith, and believe that you will do well. Tell your mind often enough and it will eventually say. “oh all right then, it MUST be true.”

It’s going to be a great week.

 

Caroline detail

 

My (usual) Method for Portrait Painting

Dominic by Gregory Wellman Acrylic 24x30This is a quick visual guide for a portrait I have done from a photograph I took of the subject. I will go into greater detail in a future post. Basically I transferred the chosen image onto canvas using the grid method and scaled the image up. I then covered the canvas in a green wash, knowing tiny specks of this would show through in the final painting, as a complimentary colour to the pinks and reds in the skin. I then draw in the image, then fix it with thinned paint. Next I begin to establish tone and base colours, layering the paint (acrylic). I work around the whole painting, ‘working it up’. I establish the background fairly early on. Hours of detail follow then, and adjustment to really nail the likeness.

 

 

Looking for 1:1 Tuition? Need a demonstrator for your art group? Like to join a workshop?

I am a professional artist with 20 years experience in oils, acrylic and pastel. I share my knowledge and techniques with others in a friendly and personable way, aiming to inspire your creativity and fuel your motivation! Let me show you or your group’s members some basic yet powerful tools to really take your skills forward. Its time to dispel a few myths and paint in the 21st Century! Still using traditional techniques that are just as alive today as ever, I can help you discover or rediscover the key principals of painting, while banishing a few old chestnuts that have been holding you back!

To find out how I can help you, contact me today on  gregory@gregorywellman.com  

Demonstrating wildlife art at my exhibition in TanzaniaLandscape painting on location in AfricaPortrait work

Introduction to Wildlife Painting with Gregory Wellman

Just finished running the Introduction to Painting Wildlife workshop with SAA member and artist Stuart Fowle. Stuart’s pencil work is excellent, and he wanted me to help himAt the end of a day's painting learn to translate his work into paint. We worked on basics like fur, eyes and brushwork. Great day! See Stuart’s work at http://www.artonthehoof.co.uk/
Thanks to The Hartnoll Hotel, Bolham for hosting this workshop. http://www.hartnollhotel.com/
Next workshop is May 8th, and then I am doing a live portrait demo (gulp!) at The Tiverton Art Society on Wednesday May 9th.

15 minute Harris Hawk painting begins!

Here’s what Stuart Fowle said about the workshop INTRODUCTION TO WILDLIFE PAINTING, last Friday:

“Was a fantastic day, great tuition all clearly explained and I came away feeling that I had learnt everything I’d wanted to achieve from the day. Also to see Gregory’s work in person was inspiring.”

Email me at gregory@gregorywellman.com  for workshops, tuition, demos, enquiries, or just to chat!

 

HELP ME WIN THE ARTISTS WANTED $10,000 ART COMPETITION IN NEW YORK!

With a couple of clicks you could help me on my way to win a $10,000 Art Competition!! PLEASE share this link and ask others to vote- or ‘collect me’ if they like my work -the more people who vote, or ‘collect’ me, the greater the chance I will be shortlisted. It only takes a minute! Thank you for your help.

http://gregorywellman.artistswanted.org/atts2012

Zanzibar Girl email Gregory

VOTE or 'COLLECT ME' by clicking the link

 

Winter Evening on Dartmoor painting short listed in International Artist Magazine- OUT NOW

International Artist Magazine April/May 2012  page 11The April May edition of bi-monthly magazine International Artist magazine features one of my paintings in its landscape competition. I entered online and was delighted when the editor contacted me to say that I was one of the finalists in their latest competition. If you buy the magazine its on page 11. Look out for my article in the next issue.

Painting in Africa, it’s not just a dream.

Imagine setting up your easel near an African waterhole. The sun is on it’s journey down to the horizon bathing the everything in a glorious, golden light. You sketch the scene before you, and then they arrive, the local herd of elephant. Trumpeting and flapping their dusty ears, they plunge into the cool water, drinking and playing carelessly. You take some photographs to help your composition for a later studio painting. Then you quickly sketch in some of the gentle giants and hurriedly mix paint to capture the colours and tones as you see them- in the flesh. Its a thrilling experience and you stop for a moment to take in your situation. The sounds, the smells, the beauty before your eyes. The words ‘dream come true’ are a cliche, but you don’t care, it’s no cliche for you, it’s all so beautiful.

This is Africa, this is your art safari.

Visit www.artistsonsafari.com and make dream reality.

Judging the St James’ School/ Ernst & Young Art Competition

Head of Art Kerry Woodford asked me to be one of the judges at this event on February 22nd 2012. Along with the Ernst & Young team, Head Teacher Moira and Kerry from Exeter Phoenix, I helped choose a worthy winner from the many entries, which were whittled down to a short list of 18. The students had excelled themselves, and I particularly liked the digital art.